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The story tells of a straitlaced banker who returns to Magic Camp, which he attended as a shy child. This time he is a counselor who makes it his mission to improve the lives of all the kids while keeping an eye on his ultimate prize, the top spot at the Golden Wand competition.
As the article mentions, and as most magic fans are aware, Martin began his early performing career as a demonstrator at the magic shop on Disneyland's Main St.
In March of 2010, I was thrilled to have the amazing Joanie Spina join me as a guest on the Magic Newswire podcast. On numerous occasions afterwards, we spoke about ideas for an ongoing series of shows to help coach performers. Sadly, we never put it all together. Hopefully, in this conversation you will find something of Joanie to inspire you as a performer. We will miss you my friend.
Previous Entry: Joanie Spina is our special guest on this episode of the podcast. If you're not yet familiar with Joanie, she acts as a performance coach to magicians, jugglers, dancers, singers, clowns, mimes, and actors. She offers a variety of services including theatrical direction, staging and/or choreography, individual performance coaching and promotional tape design and is best known to many as the co-director and choreographer for world renowned magician David Copperfield. If your demo tape does more traveling than you do, then sit back and enjoy the expert opinions of a master magic coach on This Week in Magic!
From an article in the Hollywood Reporter, I learned this morning that the silent half of Penn and Teller, who has been a guest on my podcast, has prevailed in a lawsuit against Belgian performer Gerard Dodge with regards to a lawsuit against Dodge and his performance of "Shadows", an act that Teller registered with the US Copyright office in 1983. According to the article:
"While Dogge is correct that magic tricks are not copyrightable, this does not mean that Shadows is not subject to copyright protection," writes Judge Mahan in his ruling. "Indeed, federal law directly holds 'dramatic works' as well as 'pantomimes' are subject to copyright protection, granting owners exclusive public performance rights. The mere fact that a dramatic work or pantomime includes a magic trick, or even that a particular illusion is its central feature does not render it devoid of copyright protection."